Artist Carol Kairis writes...
Hello John
Great to find your new Blog site. Appreciating the glow you achieve with your under-painting, I’m hopeful you may help me with a oil painting I’m working on. It is a painting of the amber glow across the Tyrrhenian Sea (Ansedonia , Italy) at Sunset. The glow holds hues of gold, (little orange and red undertones). I really want to play up the amber glow with just a hint of the orange and red. What color for the under painting should I use? Then which glaze would compliment that to obtain the best results?
Thank You. Carol
Hi Carol;
I am attaching three paintings of sunsets I have done in oils, as examples of how I approach the task.
The under-painting in this lake scene sketch was a yellow ochre. It was done very quickly as the sun was changing as I watched.
The same conditions applied when I painted the rose coloured sunset in the Canadian Arctic. I had only a few minutes to apply the rose under-painting and add the dark mountains and yellows in the sky, as the ship I was on was moving at the time.
This winter scene above was done in the studio with a yellow under-painting. The violets provided a nice complimentary colour to the golds. Basically, I like to choose a under-painting colour that provides an overall harmony. The use of complimentaries adds some drama to the painting.
I hope that this is of help. Please keep in touch and thank you for your question.
Best Regards. John.
~~~~~~~~~
If you have a comment you'd like to add, please join the conversation in the Comments section below.If you have a question you'd like me to answer, just click the logo!




Thanks John
ReplyDeleteYou were helpful to me, realizing the importance
of carring the harmony color throughout, so that helps me build on my original intent. This picture has sat for a few years and I really lost the original thoughts which excited me. Should I use sometype of varnish to again prepare the surface before again applying the paint??
Carol Kairis